1) About the document and its authors:
The article "Géographies scolaires à l’épreuve du Monde, éléments d’approche comparée des cas sud-coréen et français" ("School geography confronted to the World, elements of comparative approach to the South Korean and French cases") was published in december 2012 in ESO #34, the publication of ESO. Espaces et SOciétés - UMR 6590 is a Unite Mixte de Recherche (a research unit pooling university and CNRS ressources) that focuses on the spatial dimension of societies (coupling architecture, geography and urbanism with sociology, environmental psychology...) - typically seoulvillage-friendly subjects!
The article is signed by Saangkyun YI and Jean-Francois THEMINES for the ESO-Caen, the ESO branch at the Universite de Caen Basse-Normandie, where YI, a research Fellow at the Northeast Asian History Foundation, wrote the thesis that provides the elements for the South Korean case in the article: "Une discipline entre nation et empires : histoire de la géographie scolaire en Corée, 1876-2012" ("An academic discipline between nation and empires: history of school geography in Korea, 1876-2012"). Professor Jean-Francois THEMINES works at the Maison de la Recherche en Sciences Humaines (MRSH - Universite de Caen Basse-Normandie - CNRS), where he contributes to two programs: ESO-Caen and CERSE (Centre d'Etudes et de Recherche en Sciences de l'Education).
Interesting topic, interesting article, and interesting insights (eg the reasons behind the adoption of the US "social studies" system in Korea, or the parallel showing how the Prussian and Japanese models impacted teaching systems following the Franco-Prussian war / Treaty of Ganghwa humiliations of the 1870s). It also confirms how school geography and its iconography can echo evolutions in geopolitics, supranational / global entities or aspirations, the concept of nation...
Now about that Dokdo thing.
2) The truth about Dokdo:
First of all, the Northeast Asian History Foundation - Dokdo connection didn't come as a surprise: this organization aiming at peace in the region by "resolving historical conflicts" has from the start focused on this issue, and even organized essay contests about it. Each time you visit their website (historyfoundation.or.kr), you get this pop-up "10 truths about Dokdo - not known in Japan":
Saangkyun YI doesn't seem to hide his sympathy for the Dokdo cause in his own posts, and I respect that transparency**. I also think that mentioning Dokdo and the way it is treated in Korean geography textbooks is relevant for this article. The question is: is the article fair about the issue?
The answer seems to be positive.
If the words "Takeshima" or even "Liancourt" don't appear anywhere, the Dokdo islets seem properly presented ("considered as hers by South Korea" (...) "but Japan claims their sovereignty"). Note that they are "situated off the Eastern coast of the Korean peninsula", which conveniently skips the "East Sea - Sea of Japan" part of the equation, even if it doesn't leave a clue about the relative position of Japan.
Two sets of iconography are used for the South Korean case: a reproduction of a full page about Dokdo (the titles hammering the usual message "Dokdo is a Korean territory", subtitles are translated in red over the page)...
... and a less verbiose extract about Pyongyang (only images with descriptive titles - translations appear in the caption below):
Furthermore, Pyongyang is only mentioned once in the text compared to half a dozen times for Dokdo. Does it mean that the city is only used as an alibi for an article meant to push the Dokdo agenda? No: this is not an article about Dokdo, but Dokdo illustrates perfectly "a logic of state school iconography" (consistent with the not very "post-national" instructions from the Ministry of Education also quoted here***), compared to the more classic and positive presentation of Pyongyang.
Again, we don't have a full picture of the Pyongyang presentation to compare completely. And if the South Korean state agenda is exposed, its content is somehow published and translated (along with non-state players, since VANK is also mentioned). We are explained that the discipline was prevented from emerging in Korea under Imperial Japan rule, but we don't see the actual propaganda except for this cover of a Japanese textbook imposed to Koreans in 1944...
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| schoolbook for 6 to 8th graders - vintage wartime Imperial Japan |
But let's not start a hair-splitting contest by decrypting potentially asymetric iconographies in a study of the history of selective iconographies. I was simply showing how difficult it is to manipulate such sensitive topics, and here, the editorial line respects a scientific approach: this article certainly cannot be seen as a promotion of Korean interests, and it doesn't solve the Dokdo conflict either, because that's not the subject.
Where's the problem then?
That Korea was led to beef up its nationalist rethoric, that's a problem.
Revisionist textbooks in Japan, armies of pseudo historians and geographers in China rewriting history and redrawing maps, that's a bigger problem.
Terminating the Truth and Reconciliation Commission, Korea, turning school history into a simple option, and allowing creationism in school****, that's not a small problem either.
Time to build a future based on a mutual respect and understanding of the past. Time for a Global Truth and Reconciliation Network*****.
Seoul Village 2013
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* "佛학술지에 독도논문.."일제가 지리 왜곡" (Yonhap News 20130320)
** you already know my position (see for instance "Claiming Dokdo as Takeshima equals claiming Seoul as Gyeongseong")
*** note that the case of Dokdo is not the only one: the Ministry also highlights the Kando region in today's China
**** see "State-condoned creationism in Korea? A cold-blooded murder against King Sejong"
***** see "We reject as false the choice between revisionism and nationalism - for a Global Truth and Reconciliation Network"
Strange feeling, yesterday, as I roamed the inaugural exhibitions at the brand new old Seoul Station ("Countdown" and YIPPA 2011 - see "
We started with the Yonhap photo expo, which certainly didn't lift our moods : UN Millennium Development Goals are about tackling every dimensions of human misery, and in "Share the Moment, Share the Future", photographers from all horizons are precisely pointing their fingers where it hurts. Tough images, utter despair, with just the occasional glimmer of hope...
Imperfections are welcome, even if the green wooden windows didn't have to be that respectful of the old days : as you can see on this picture (sorry for the quality, I'm all thumbs with picturephones), they are not weatherproof.
After two years of renovation, the Old Seoul Station has just been reinaugurated as "Culture Station Seoul 284" (문화역서울 284), a name that echoes the status of this 111 year-old building (Korean Historic Site No. 284), as well as its new purpose.
So the countdown has started, and "Countdown" is precisely the name of the inaugural exhibition, where 20 Korean artists present their works or perform live. 
Visitors (
