'Encounters between Korean Art and Literature in the Modern Age' - Night at the Museum

For Korean culture, those were troubled and fascinating times; times of repression and expression, times of Western influences, Japanese occupation, and Korean affirmation. 

Those were modern times, and yet intemporal times. 

When young stars didn't just remain neatly aligned in their respective constellations. When pens and brushes blurred the lines between literature and modern art. With such a conjunction of talent, despair, hope, and urgency.

In a brilliant exhibition, MMCA brings us back to that era in - what better symbol? - its Deoksugung branch.

We see young minds avidly embrace the avant-garde, experiment with sometimes a French touch (Rene Clair, Jean Cocteau, JEONG Ji-yong's 'Cafe France'), we see painters and writers meet and collaborate, we see writers and critics become visual artists, we browse a mesmerizing library with rare first editions (KIM Sowol's Azaleas, MA Hae-song''s fairy tales illustrated by LEE Byung-hyun and KIM Jeong-hwan...), and scores of newspaper extracts - a bit like XIXth century Europe, Korea experienced a democratization of literature, only with a much more powerful poetic force. 

Strolling through the palace by night made the visit even more magical:

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 A great exhibition, reminiscent of the exceptional tribute to LEE Jung-seob in the same building:

'Captivating LEE Jung-seob exhibition in MMCA Deoksugung, Seoul' (@theseoulvillage - 20160806 - twitter.com/theseoulvillage/status/761763045584404480)

KIM Whanki takes a lot of space as he tends to do in collections, but the zeitgeist is much better framed by this 'Portrait of a friend': gifted artist GU Bon-ung capturing genius poet YI Sang:

If the mapping of this creative galaxy aptly remains focused on people always on the move (more than a few ended in North Korea), I couldn't help but imagine a Seoul Museum of History version featuring geographical maps. Just to see where all Guinhoe members lived, how far from Seochon or Yi Sang's Jebi Madang...

We know writers and painters can be artists, authors, neither, or both. And sometimes it runs in the family. PARK Taewon's grandson happens to be an author who can sketch, and even do decent movies (BONG Joon-ho).

Byeolgeongon July 1933 - cover art by HWANG Jeong-su

• Encounters between Korean Art and Literature in the Modern Age at MMCA Deoksugung (Galleries 1 to 4): until May 30th, 2021, free entrance (except for the entrance to the palace).

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Don't miss Le Corbusier in Seoul... The artist, not the urban planner!

Voluptuous sculptures, delicate aquarels, explosions of forms and colors...

... frankly, these are not the first things that come to mind when you think Le Corbusier and Seoul. For me, the association rather suggests that radical 1925 Plan Voisin for Paris, where he imagined the destruction of two square miles at the center of the capital to make room for what now looks like your classic Seoul New Town:

This model for Corbu's Plan Voisin (1925) looks like most 2016 mock ups in Seoul new town model houses. And Jeanneret would turn in his grave if he saw how his pilotis are used and abused across the Korean capital...

But mercifully, the not-to-be-missed exhibition at Seoul Arts Center doesn't venture into that particular dimension of Le Corbusier's amazingly prolific mind.

Le Corbusier Special Exhibition
Hangaram Design Museum (sac.or.kr)
2016.12.06(TUE) - 2017.03.26(SUN) - 11:00-19:00 (MAR 11:00-20:00)

Corbu time. Inauguration of Le Corbusier expo at Seoul Arts Center (With Antoine Picon - 20161206 - twitter.com/theseoulvillage/status/806049947996950528)

If I braced for something big, I certainly didn't expect anything that overwhelming. This isn't an exhibition, but a full art museum devoted to a bulimic absorber of cultural influences, encompassing almost all forms of art, architecture being almost reduced to a pleasant background music, flowing naturally as the artist's lightest composition.

Many works have never been exhibited, and this prefigures an actual Le Corbusier museum in a much wider way than say last year's retrospective in Paris... even if the poster looks familiar (and even if, somehow, that one also struck a musical chord):

The weird music of architecture: these days you can play Le Corbusier on a Renzo Piano - Centre Pompidou, Paris (20150707 - twitter.com/theseoulvillage/status/618311100606644224)

Flanking commissioner and Ronchamp expert Daniele Pauly, Ambassadors Linus von Castelmur (Switzerland) and Fabien Penone (France). Special mention to the former for elegantly mentioning in his opening speech even the most controversial sides of Corbu, as all nations and the UNESCO celebrate his cultural impact*

Many of Corbu artworks echo great artists (Picasso, Braque, Schiele..), but I have a weakness for this almost childish 'Paysage parisien imaginaire' (1917) - a dream-nightmare-ish view of Paname blended with Istanbul, with a contrast between colorful life and dark death (hanged man, war plane, constrained ships...)

Significantly, the artist is most celebrated as a great architect in a colorless, side space, under the eyes of Tadao Ando.

C for Corbu - Le Corbusier in Seoul (20161206 - instagram.com/p/BNrA2gzDfX4)

Anyway, don't you dare miss this major event. And if you happen to pass by Paris, don't miss his appartement-atelier, which literally speaks volume about the man*.
    
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* via La Fondation Le Corbusier's website - fondationlecorbusier.fr

The Republic of Apartments

Even as the "apateu" model is coming to an end (see "Inhuman, all too human Seoul"), Korea remains "The Republic of Apartments" as much as "The Republic of Samsung". But beyond hardware or software, humans always take center stage in Seoul Museum of History's exhibitions, and the original title of this one ("아파트 인생") could be translated as "Apartment life", or maybe even an attenboroughesque "Life in apartments".

"The Republic of Apartments", another great (and moving) @SeoulMuseum show. Gyonam-dong a special guest
twitter.com/theseoulvillage/status/446085171901521920

*

As is often the case in my favorite Seoul museum, you can enjoy two exhibitions for the price of one (anyway, bonus: the entrance is always free!). And as an appetizer to the main dish, I started with the art gallery curated around a theme that, logically, permeates Korean culture.

Note this installation recounting decades of standardization (what I dubbed "the industrial revolution of housing") by timelapsing apartment maps, sizes and prices:



I browsed so many hundreds of "apateu" brochures and ads that I feel like I recognize them all!

More classic, AHN Sekwon's "Lights of Weolgok-dong" triptych, shot between 2005 and 2007, tells the sad and classic story of a charming Seoul neighborhood replaced by a dull new town scenery (as it happens, probably the Wolgok Samsung Raemian or the Wolgok Doosan We've):

Weolgok-dong series by AHN Sekwon (2005-2007)

Come to think of it, Hawolgok-dong is very close to Jongam-dong, also in Seongbuk-gu, where the first apartment blocks were erected in 1958 (Jongam Apartment)*.

*

Which leads us to the main show, a retrospective on the apartment phenomenon focusing on socio-cultural dimensions. Like often here (e.g. Jongno, Gwanghwamun, "Made in Changsin-dong" expos), it features a real interior that was still inhabited a few months earlier. The pensioner who lived in this one had to move because of the redevelopment:

At least, this time, the victim sacrificed on the altar of this urban nonsense was an "apateu" block, not an architectural wonder.

As expected, a lot of tributes were paid to one of the latest victims of Seoul's caricature of urbanism: Gyonam-dong lies (lied) just hectometers away, on the other side of Gyeonghuigung and the fortress walls. There's even a picture of our "Samdong Samgeori"! (by the way, I was very pleased to learn the other day from Robert J. Fouser that this amazing curved-roofed hanok has been, after all, protected and saved for good). 

Scenes of devastation and gutted hanok are nothing new, as this 1966 bird's eye view of demolished shacks in Inhyeon-dong reminds us.

And a whole section is devoted to the people displaced by evictions, including naturally the familiar images of Kim Dong-won's cult documentary "Sanggye-dong Olympic".

But as always, you're not in for a pure tearjerker. First, there's a lot of hope, love, and happiness - it's about humanity and humanness, life spaces rich in personal histories, with fair testimonies from ordinary citizens and middle class Seoulites. Second, the aim is to share with the visitors the experiences of insiders, help them understand the context and accept all sides of the past, reconciling citizens with their city and history.

*

• "The Republic of Apartments" (March 6 - May 6)
  Seoul Museum of History (museum.seoul.kr) - 55 Saemunan-ro (Sinmunno 2-ga), Jongno-gu, Seoul 110-062
  See also "Wandering Art" expo at the SMH (March 11-30)
• See all posts related to the SMH, and among other exhibitions:
• "A thousand villages, a thousand memories - Seoul Photo Festival 2012"
• "Jongno Elegy"
• "A Retrospective : Kim Ki-chan and the World of Alleys"
•  See all posts related to urbanism.

*

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* special mention to Haengchon Apartment (1969)!

MOCA goes MMCA - Museum of Modern and Contemporary Art

Today, the National Museum of Contemporary Art, Korea (MOCA) unveiled its new Museum Identity as the National Museum of Modern and Contemporary Art, Korea (MMCA).

 

If you don't know the old logo, it's in a rather classic, institutional gold, and in capital letters. A litle bit like the chaebol logos from the 80s-90s:

 

 

The new and improved MMCA still looks familiar, and not just because you can almost read "MOMA" if you don't pay much attention. But the color version seems definitely lighter and more consistent than the black and white version, where the logo comes straight from the 70s (it would probably give a different impression if the white logo were, for instance, on a more simple black geometric figure):

 

Anyway... the MOCA had already rebranded its three branches:

• MMCA Gwacheon: the main building (near Seoul Grand Park) was inaugurated in 1986, but the institution itself was established in 1969 in Gyeongbokgung, and moved a first time to Deoksugung, in 1973.
• MMCA Deoksugung: the MOCA returned to Seokjojeon, where the focus is on modern art (museum collections, international exhibitions like the recent "Memory of landscape I have never seen", featuring collections from the National Gallery in Prague). Just hectometers away from SeMA Seosomun, via Jeong-dong-gil.
• MMCA Seoul: the new Sogyeok-dong branch will be inaugurated in November this year, and the MMCA regularly posts pictures of the new structures. Many of the fences have already been removed, so everybody can see the former Defense Security Command and Military Hospital emerge in new clothes and surroundings. I'm glad they dumped the "UUL National Art Museum" brand, which sounded like "melencholy" in Korean. About this saga, see former posts, particularly "ASYAAF 2009" (July 2009), "Shinhotan, Beginning of a new Era - a big MOCA cup for Seoul" (October 2009), "MOCA @ Defense Security Command, continued" (February 2010), "SeMA to block blockbusters" (February 2012).

MOCA Seoul in Sogyeok-dong, facing Gyeongbokgung

I can't wait to visit the new museum and its collections this November. Two other exhibitions are planned for the inauguration: "The Birth of a Museum: MMCA, Seoul Archive Project", and a "On-site Production and Installation Project" featuring SEO Do-ho, CHOE U-ram, and Young-Hae Chang Heavy Industries.

Speaking of Young-Hae Chang Heavy Industries and text designs... I wonder if MMCA will dare display in the former Defense Security Command this work called "Cunnilingus in North Korea" (watch the whole video: yhchang.com/CUNNILINGUS_IN_NORTH_KOREA.html)

THAT would be quite a shift from the 70s for this building!

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SeMA Nowon: better than Gauguin

Never say never again: one year ago, the Seoul Museum of Art announced that it would distance itself from big shows with big international names (see "SeMA to block blockbusters"), but 2012 ended with the Tim Burton extravaganza (talk about big fish), and yesterday*, The  Korea JoongAng Daily detailed SeMA's plans for the year to come, starring a major Paul Gauguin exhibition to be held June-September 2013 in Seosomun branch (talk about a summer blockbuster).

It's great, particularly for a large public who never had the occasion to see really significant works from an artist I love, but I was much more interested in updates regarding the future SeMA North Branch in Nowon-gu.

I always wondered what would come out of this site, still hidden by tall fences last time I passed by, last month. That's a very good location, between Junggye and Hagye stations, surrounded by massive apartment blocks and just in front of a key commercial hotspot: Outlet 2001 +, HomePlus (formerly HomEver, formerly Carrefour Junggye), the second one after Nowon Station, on the other side of Danghyeoncheon. Perfect to reach for new visitors, and to boost Northeast Seoul's cultural life. 

SeMA North Branch (SeMA Nowon? SeMA Junggye?) will be inaugurated in July 2013, and officials quoted in the article mentioned "crafts, design, and architecture" and "public art" as the main "verticals" for the new venue. We also received the confirmation that the Main Branch (SeMA Seosomun) would propose more international magnets. It is very important to couple each event with a more local one: I sincerely hope many visitors to the Tim Burton show stopped by the wonderful exhition of Seoul pictures on the ground floor (see "A thousand villages, a thousand memories - Seoul Photo Festival 2012"). Bonus: that expo was free. But of course, that's not the reason why I visited the Seoul photo festival expo three times, sharing twice very emotional moments with fellow visitors I'd never met before, but who had personal stories with certain pictures or photographers.

The potential repositioning of SeMA Nam Seoul (South Branch, near Sadang) is not very clear, but I guess the editorial line will remain focused on more intimate exhibitions.

What about SeMA Gyeonghuigung, that big space in the most prestigious of all locations, but an empty shell most of the time?

My dream would be a SeMA KIM Ki-chan, a living museum devoted to photography, built around the collection of Seoul's - and probably Korea's - all time greatest photographer, the man who captured the soul of the city, of its people, of its alleyways. Furthermore, Kim Ki-chan grew up just hectometers away from the site, in Sajik-dong.

That would be great: permanent collections of great Korean photographers, temporary exhibitions, and as tribute to the people of Seoul KIM Ki-chan revealed for generations to see in their daily lives, a large space devoted to photos taken by anonym citizens.

At a time when human relations grow virtual, at a time when the whole city is captured thousands of time a day by its citizens and visitors for the whole world to see on social networks, Seoul has a duty to get real and to make something of all its fantastic cultural assets.

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* "Gauguin exhibition set for Seoul museum" (KJD 2013/01/23)

A thousand villages, a thousand memories - Seoul Photo Festival 2012

 

The theme of this year's SFF couldn't be more Seoulvillagey: "A thousand villages, a thousand memories", with a focus on the city and its inhabitants, and works by amateurs as well as well know classics from such great masters as my all time fave KIM Gi-chan*. The opportunity to see again Reverend Motoyuki Nomura's 1973 Cheonggyecheon, if you missed the expo at Seoul Museum of History.

Above, a 1950 picture of Namdaemun-ro by KIM Han-yong. Below, a 1972 shot by a certain Hanjeong Sik (in this order, his name means Korean food!), taken in Gyeonji-dong, Jongno-gu - that's the neighborhood around Ujeongguk-ro, Jogyesa's street:

Exhibitions also feature simple souvenir snapshots, and memories as fresh as 2012.

While you're roaming between City Hall, SeMA, the Seoul Museum of History and Gyeonghuigung, don't miss the Jeongdong in 1900 expo (expats in Jeongdong / the Korean pavillion at the Universal Exposition of Paris 1900), and see how the museum of history renewed its permanent collections, leveraging on past exhibitions.

 

Seoul Photo Festival 2012
천 개의 마을, 천 개의 기억 (A thousand villages, a thousand memories - exhibitions and conferences)
Date: 20121121-1230
Venues: Seoul Museum of Art - SeMA, Seoul City Hall, Seoul Museum of History
Tel: Dasan 120 (SFF: 070.8240.9902)
Website: SeoulPhotoFestival.com

Jeongdong in 1900
A Strange coexistence in Jeongdong / The Universal Exposition of Paris 1900
Date: 20121109-20130120
Seoul Museum of History
Tel: Dasan 120
Website: museum.seoul.kr

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* BTW Noonbit recently reedited series of pictures from their archives in a handy format. I already got the complete work of KIM Gi-chan, and a very interesting collection about Korean markets (mainly from the 80s-90s). You can find these white cinderblocks in most libraries and art galleries across Seoul.

100 years of Koreans in Japan

My "Korea-Japan" Friday was supposed to be quieter, highlighted by this visit to the Seoul Museum of History on the inaugural day of the exhibition about Koreans in Japan, and the bronze medal game between both countries at the Olympics.

Then the news came that President Lee would make a surprise visit to Dokdo, spoiling the mood to say the least*.

But nothing could ruin the first bearable day following the meanest heatwave in decades**, and I enjoyed the stroll along Gyeonghuigung-gil, with a quick hello to my old neighbor, the Korea Football Association building, dressed as usual for the event...

... and at the other end of the street, the museum and its old-map-of-Seoul-slash-fountain in full swing.

What I didn't expect was the massive crowd inside. Turns out I arrived right on time for an inauguration I suspected would have happened in the morning. There goes the ribbon, with the help of Dr KANG Hong-bin, the brilliant director of this museum, KANG Duk-sang, the curator of Tokyo's "History Museum of Japanese Koreans" (재일한인역사자료관) and an ethnic Korean himself, and CHUNG Jae-jeong, President of the Northeast Asian History Foundation:

There are two parts in this exhibition: a focus on the daily lives of Koreans and ethnic Koreans in the archipelago, and KANG Duk-sang's collection of nishiki-e prints. At the same time glorifying imperialism and fueling racism towards Koreans, these colorful pictures contributed, at the end of the XIXth century, to the official propaganda that paved the way for the colonization of Korea by Japan. There are even card games and board games. Textbook propaganda... and we're not even talking about textbooks!

Except for the exotic touch of the prints, I notice many similarities with colonialist materials from the same period in Europe. But the "other" doesn't look that different on the pictures. You do see a cartoon of a crying Korean tiger, but in this collection at least, not the equivalent to the outrageous racist caricatures that persisted late into the XXth century (more or less intentionally, like with Herge's highly controversial "Tintin au Congo", for instance).

The thing is that, like all humans but even more so, Korean and Japanese people are brothers. And it's hard to justify racist propaganda within the family. So the authorities resorted to techniques very similar to WWII antisemitic propaganda, for example a police briefing about how to tell "Joseon" people from "authentic" Japanese people. But with very few physical details - the hair, maybe? And a lot of behavioral traits, like the Confucian marks of respect to an elder citizen. And if you read between the lines, the same jealousy and self-hatred leaking from the racist speech. At one point, police officers are warned they may be tempted to believe Koreans look noble because of the way they walk. And there's the poem of a Japanese citizen, who doesn't understand why a policeman asks him to repeat a silly sentence, until he realizes that's a way of spotting a Korean accent.

I can say "Japanese citizen" because even now, Koreans and ethnic Koreans cannot get the Japanese nationality. Either they keep the Korean nationality, or they drop it for a special status that turns them into apatride oddities. The exhibition tells the story of generations going through daily discriminations and humiliations, even when they want to embrace Japan as their only country. When a brilliant person was exceptionally proposed to take the Japanese nationality in order to become a judge, and even if he had always dreamt of becoming a judge and of being recognized in the Japanese society, he had to refuse because it meant the very negation of his ideal of justice.

A few ethnic Koreans do succeed every now and then, and the compulsory fingerprinting is just a bit less humiliating than it used to be. And of course, in spite of the sick ping pong game between Fareastern hatemongers, the 1923 madness is not likely to happen anytime soon (following an earthquake, racist rumors accused Koreans of adding to the destruction, leading to the mass murder of 6,000 innocent "Joseon" in broad daylight).

But fundamentally, nothing changes, racism remains institutionalized, and this exhibition cannot identify any glimmer of hope for the future of hundreds of thousands of Koreans in a home that refuses to embrace them... at the official level at least: little progress would have been made without the contribution of responsible Japanese citizens, and I was happy to see a significant proportion of Japanese people among the visitors.

As you browse through these sad testimonies and lists of avoidable tragedies, as you try to overcome negative emotions - extremism feeds upon that feeling of helpless anger -, you can't help but think about the way today's Korea is sometimes dealing with its own growing population of foreigners, particularly migrant workers. Will Korean media help the audience appreciate the mirror effect? 

Once again: yes, Japan must apologize, yes, Japan must change, but Korea cannot at the same time ask for change and refuse to face and fix its own failures.

Seoul Museum of History
"100 years of Koreans in Japan"
55 Saemunan-ro (Sinmun-ro-2-ga), Jongno-gu, Seoul 110.062
Tel: Dasan 120
Website: museum.seoul.kr
(ADDENDUM 20120814: I forgot to mention the projection of movies related to the exhibition - fiction and documentaries, check the website for the program. that's only between Aug. 11 and Aug. 17)


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** up to 3108 degrees Celsius, the temperature at which smartphones get dumbstruck:

ASYAAF 2012

Back to square one. After a brilliant edition at the soon-to-become UUL museum (then the Defense Security Command - see "ASYAAF 2009"), a mediocre stunt at Sungshin Women's University ("ASYAAF 2010"), and a decent performance at the Hongik Museum of Art ("ASYAAF 2011"), the Asian Students and Young Artists Art Festival is back to where it all began: ye olde Seoul Station, now Culture Station Seoul 284.


The concept doesn't change: art from 777 young Asian artists, split into 2 waves (August 1 - 12 / August 14 - 26), with a break in between to distribute the works. And like last year, 9 nations are represented: BAN, CHN, IDN, IND, JAP, KOR, JAP, PAK, SIN, TWN. No medals awarded, except for the red dots signalling sold pieces.


ASYAAF 2012
August 1 - 26
Culture Station Seoul 284
1 Tongil-ro, Jung-gu, Seoul 100-162 website: asyaaf.chosun.com




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CHOI Min-shik's Children

Born a poor kid in rural Southeast Korea, the Master of Busan never forgot where he came from: when CHOI Min-shik* talks about himself, he often uses the words "this peasant".

Now 84, CHOI has spent decades learning from humans he met and photographed, recording a universal message of love and peace, exposing life in its blooming beauty as well as in its cruel sadness.

In the vein of his series "Humans" or "Women", "소년시대" echoes his days as a kid, through pictures of children who face a tough world, but sometimes manage to smile and to meet fellow humans who care.

CHOI Min-shik photo exhibition "Children" / 최민식 사진전 "소년시대"
20120613-0708
Lotte Gallery (12F, Lotte Dept Store Main Branch in Jung-gu)
Tel +82.2.726.4428

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* not to be confused with CHOI Min-sik, the actor born in Seoul 50 years ago.

Emperors in Istanbul - National Museum of Korea

Here's an event I certainly won't miss: an exhibition on past empires of Turkey at the National Museum of Korea, featuring works from prestigious institutions (from Istanbul and Ankara: Topkapi, the Museum of Anatolian Civilizations, the Archaeological Museum, the Museum of Turkish and Islamic Art...)*.

The NMK previously delivered 3 impressive focuses on Egypt, Persia, and the Inca, bringing to Korean audiences treasures never seen before in the region. This time again, an ambitious editorial line, reaching beyond the usual suspects (the Byzantine and Ottoman Empires), towards the Greco-Roman civilization and Phrygia, but also into the Hittite Empire.

I'm glad the SeMA put a brake on blockbuster exhibitions (see "SeMA to block blockbusters"), but I think the NMK is doing a good job at drawing large audiences to its hulk of a museum, and you see many parents and kids pleased to discover more than they expected / came for, growing hunger for more discoveries.

* Civilizations of Turkey, Emperors in Istanbul
20120501-0902
National Museum of Korea
Seobinggo-ro 137 (Yongsan-dong 6-ga 168-6), Seoul 140-026
Website: istanbul2012.co.kr
Tel: 1666-4392

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---
UPDATE 20120513
National Museum of Korea No 19 has just been published - see focus p.21
http://www.museum.go.kr/files/upload/ebook/6/vol19.pdf

Myeong-dong Narratives

Gwanghwamun, Gangnam... my favorite museum in Korea continues its exploration of Seoul neighborhoods. And if this exhibition on Myeong-dong is not as great as the one on Jongno (see "Jongno Elegy") or of course KIM Gi-chan's alleyways, it's still worth the visit.

Street scenes, testimonies, sounds, images, films, cultural events... as usual, you are sent back in time and surrounded with elements from daily life. "Myeong-dong Narratives" focuses on the 1950s, which helped me fill the gap between the "Japanese Myeongdong" of the Occupation, and the Myeongdong I've known for 20 years.

Even now that the Myeongdong Theater has reopened, it's hard to imagine the place as a buzzing spot full of artists, authors, and intellectuals. Ever the shopping mecca, Myeongdong was at the same time the Saint Germain des Pres, the Montparnasse, and the Champs Elysees of the fifties. Later on, but long before they started spitting two penny K-Pop on every passer-by, its streets resonated with slogans against the dictatorship.

But time loves to fly. Theaters moved out (to Daehangno), intellectuals deserted the area, high schoolers replaced university students, shops replaced cafe theatres, tourists replaced high schoolers, SPAs replaced shops... Only constant: Myeongdong remains one of Seoul's shopping hubs, and premium real estate.

Food for thought for a cultural neighborhood like Hongdae: as I wrote earlier (see "Six lanes of traffic"), you have to chose between speculation and identity, between Zara and thustra, between Esprit and indie spirit. Creative minds tend to vote with their feet.

"Myeong-dong Narratives" (exhibition)
2012/01/19-03/31
Seoul Museum of History
50 Saemunan-gil / 2-1 Shinmunro-2-ga, Jongno-gu, Seoul, Korea 110-062
Phone : 120 (Dasan hotline)

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