Seoul Village Season XV

At long last we managed to escape from 2020.

We're certainly not out of the woods yet: the beast is still striking all over the world, our economies have yet to fully experience 'long covid', and vaccination will take much longer than it should (particularly in Korea, where hubris led to an embarrassing failure to secure doses before the second half of 2021).

Beyond this mother of all crises, here's what I liked and didn't like in 2020, what to expect from 2021.

 

A positive cultural leader, a pro yet fun soft power... the new Korean cool!

Korean culture claimed mainstream recognition in 2020. Of course "Gisaengchung - BONG Joon-ho's existenchial Parasite" scored a perfect grand slam, of course BTS dynamited the charts, but Korean series surfed the wave far beyond the usual Korean dramas, and Foreign media started paying more attention to different beats, from indie music to trot to pansori. I just loved to see Leenalchi succeed at home as well as overseas; that's the Korea I love, and these guys brought priceless freshness and fun when they were most needed.

Respect is what this world needs to better heal, and Korean citizens showed the world how caring for each other and respecting the common good was the way to overcome together. Even Korean American Rep. Andy Kim contributed to this positive image when he humbly cleaned up the US Capitol rotunda after the riots. That's the spirit.

Korea acted as a cultural leader also by innovating in the management and the treatment of the pandemic. The country realized unprecedented breakthroughs in research and development, not just, as usual, at the product level, but at the platform level as well, including in medical fields. 

This is not just about a K-pop fad anymore. Korea proved it could be at the same time super-pro, and super-cool... just like SON Heung-min!

 

The Dark Side of the Moon

2020 should have marked MOON Jae-in's triumph, with the ruling party's landslide victory at the elections, surfing on a brilliant success against the first wave of coronavirus... but his handling of three key issues durably tarnished his legacy.  Actually the very same issues I spotted two years ago (see "Moon Landing - The Cheong Wa Dae Curse"):

- Economy: dogmatism over pragmatism, that's certainly not the way to think in this millennium, particularly when small businesses struggle to survive. This pandemic only constituted a second wave after reforms that already claimed a lot of victims among the weakest ones. And what to say of the real estate mess? The ayatollah in charge of the reforms even wrote a book explaining that the aim of the game was precisely to hurt the little guys, because studies show that when the middle class benefits from the market, they tend to vote more conservative... Simply put, this government deliberately betrayed the very ones he pledged to defend.

- North Korea: now the government doesn't even try to pretend anymore. Protecting the KIM Jong-un regime matters more than defending human rights, defectors who criticize him have become the enemy, and KIM Yo-jong all but dictates the laws (see "KIM Yo-jong Crash Landing On You"). Human Rights Watch and other international bodies have denounced this moral failure, but that's not even the worst that has happened last year.

- Justice: if MOON Jae-in's approval rates are nosediving, that's because his administration has betrayed the spirit of 2016, the democratic values they were supposed to herald, and yes, even the memory of ROH Moo-hyun. Now international media are starting to look at MOON through less rose-colored glasses, and even some hardcore stans find that they went too far. Because when it comes to undermining justice and separation of powers, this administration has out-trumped Donald TRUMP,  CHO Kuk and CHOO Mi-ae have out-williambarred William BARR, and the ruling party has out-GOPed the Republicans. The only person who stands on their path is the incorruptible Eliot NESS MOON Jae-in himself named to lead the prosecution reform. YOON Suk-yeol (YOON Seok-youl) refused to turn a blind eye on the corruption within Cheong Wa Dae and the ruling party, and decided to defend democracy and the Constitution instead of his party. By harassing him and his teams in the most outrageous ways even by trumpian standards, these thugs managed to turn a selfless liberal into a hero even for conservatives. YOON is now leading in the polls for the 2022 presidential election, but like Robert MUELLER, he's more interested in defending the integrity of justice and the soul of the nation than in a political career. 

What does 2021 have in store?

The race for 2022 starts this year, with key mayoral elections in Seoul and Busan. The ruling party should easily keep the control of the capital city, but its leaders lost a lot of credit at the national level (see above) as well as at the local level (between the lack of transparency in the controversial Sejong-daero project and the scandals surrounding PARK Won-soon suicide - see "Mayor Park to ground control"). 

After the moral collapse of the right and left wings, Korea seems ripe for a centrist, uniting figure, but no one emerges there. Because the ruling party betrayed its own values, there's an opportunity at the center right, and OH Se-hoon hasn't given up his grand national ambitions. He proposed AHN Cheol-soo to join the People Power Party and run for Seoul mayor in 2021, which would clear the way for OH in 2022, and for AHN in 2027. To the left, the future could belong to people like GEUM Tae-seop, a moderate who left the ruling party because he felt it lost its moral compass. Yet at this stage, no one is as popular as YOON. 

We will see which welcome pack KIM Jong-un prepared for Joe BIDEN, how long Yoshihide SUGA survives on top (anyway, whoever succeeds him, without or "With Yoshihide Suga, Nippon Kaigi remains in charge of Japan politics"), what kind of pressure China intends to exert on South Korea... 

We will of course keep an eye on the evolution of Seoul's cityscape, the 3rd Seoul Biennale of Architecture and Urbanism, the impact of Sejong-daero revamping. 

And I might have a surprise or two in the fiction department. Thank you again, dear readers, for downloading my collection of short stories, 'Seoul VillageS', from all over the world. Your kind feedback brightened this dark year.

I wish us all a better year 2021, full of health and love. And if this year of the cow brings us another roaring tiger, let's not lose hope and let's not forget the power of laughter.

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PS - ICYMI, the manual to 2020:

Parasite:

Stay safe and follow the instructions:

1) #stayhome while your government takes care of things: pic.twitter.com/baLsCGMMYl

— Stephane MOT (@stephanemot) March 20, 2020

2) keep informed by following trustable sources of information: pic.twitter.com/t2M30eMhZp

— Stephane MOT (@stephanemot) March 20, 2020

3) but remember to keep your distances and follow basic hygiene tips: pic.twitter.com/cgkShhrkE2

— Stephane MOT (@stephanemot) March 20, 2020

4) #WashYourHands and clap everyday to thank exhausted #health workhorses: pic.twitter.com/rIWjYg5SO4

— Stephane MOT (@stephanemot) March 20, 2020

KIM Soo-chul fast forward

You'd think that would be the perfect day to simply, gently press 'rewind', and then 'play'..., but no, KIM Soo-chul keeps pushing 'fast forward' all the way, because he always needs to project himself toward his next projects.
   
For the final concert of his return to Hakchon, and on his 62nd birthday, the legend did remind us who and what he is: a great singer, an amazing guitar player, a wonderful songwriter, a multifaceted composer, a producer, a broadcaster, an actor. a genuine artist, and a true star, the kind of sun that brightens your day, makes you laugh or cry along with him.

KIM Soo-chul 20190407 (photos Stephane MOT)

If his hits have rocked and moved generations of Koreans since 1978, Soo-chul is even prouder of promoting gugak long before that was cool (one of his university friends told me that he was actually surprised to see him start with occidental music), and of helping its unique sounds reach new audiences at the 1988 Seoul Olympics and 2002 World Cup opening ceremonies, or with original soundtracks (like the one he composed for IM Kwon-taek's 'Sopyonje'). And yes, KIM is also very proud of performing live at the UN in NYC, of composing the delicate KBS jingle, or the cult 'Chikichiki chakachaka' (animation series), which he even played live on Sunday in Daehangno.

His show started unconventionally, with a lecture that was both fun and inspiring, even if he could have reduced the number of illustrations by half and still make all his points - but such is the man and the artist: always willing to communicate, and to share. 

Then came the concert. Did he bring the house down? You betcha. 'Little Big Man''s old band mates cheering from the audience, KIM Soo-chul teamed up with younger talents on stage: just one drummer, one bass, and one heck of a guitar hero, who jammed for a while with young gugak players, before returning to his greatest hits. A musical and emotional overload ending up in tears, before a touching finale: four songs merged into one, simply delivered by a soft voice, discreet strings, and pure melodies.

Happy Birthday, KIM Soo-chul, and thank you again for this very special moment.

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Fed up with 'Gangnam Style'? Try Paik and Park's acoustic version

You're allergic to 'Gangnam Style', and I'm with you. 

Let's unplug him. And just once, listen to this acoustic take, more on the yellow-mellow-ish, fake blues-ish side of K-pop. Also irritating at high doses, but less damaging for your eardrums:

Over 300,000 YouTube views so far

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Haunting performances

Sunday Special: here's the video of Miyeon and Jechun's 'Cheong Alive', the opening concert of the 2014 Jeonju International Sori Festival I mentioned the other day (see "Cheong Alive, Jeonju Kicking"). Of course, it only conveys part of this amazing take at the great pansori 'Simcheongga':



0. 프롤로그 (Prologue) ~03;51
1. 아이고마누라 (Oh, My dear wife!) ~07;28
2. 삼배전대외동지어 (Mr. Sim carries a ramie bag on his left shoulder) ~09;04
3. 아버지듣조시오 (Please hear me out, father) ~14;04
4. 시비따라건너간다 (Go over Following the Maid) ~16;58
5. 중올라간다/네가바로심청이냐 (A buddhist monk passing by rescues Mr. Sim) ~22;37
6. 엇모리볼레로 (Dancing with Eotmori Bolero) ~27;25
7. 비나이다 (Cheong prays for Father) ~30;14
8. 우리는 남경장사 선인으로 (We are sailors doing business with the Chinese) ~32;45
9. 아이고 아버지/허허이게 웬일이여 (Father, do not worry about me - What would I see if you sell yourself to open my eyes?) ~37;22
10. 따라간다 (Cheong follows the sailors) ~41;52
11. 범피중류 (Drifting Along in the Sea) ~44;03
12. 한곳을 당도하니 (Cheong reaches Indang Water) ~50;32
13. 북놀음 (Drumming for Cheong) ~56;05
14. 닻감아라 (The Sailors Sigh song) ~57;24
15. 위의도 장헐시구 (The dragon king is delighted to see Cheong) ~01;01;42
16. ALIVE (Cheong ALIVE) ~01;03;50
17. 이 잔치를 배설키는 (Wishing for reunion with father) ~01;06;49
18. 아이고 내 자식아 (Cheong's father sighs) ~01;09;38
19. 예예 소맹인 아뢰리다 (Mr. Sim Opens His Eyes) ~01;14;39
20. 에필로그 (Epilogue) ~01;18;17

I'm still haunted by the music leading Cheong to the sea, and announcing the janggu drummers.

*

And ever since last spring, I've also been haunted by PARK Jeong-ja's voice and performance in Incheon's Namdong Arts Hall. In this theatrical interpretation of KIM Byeol-ah's "Farewell Forever and Ever, Farewell Forever" ("영영이별 영이별"), she is Princess Jeongsun, the wife of King Danjong, at a turning point in Korean history. About the story of this king that never was and the Korea that never was, see "King Danjong and Korea's Curse".

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Cheong Alive, Jeonju Kicking

Last week, we had a fantastic time in a Jeonju blessed with a perfect weather... 

Autumn in Jeonju, Jeollabuk-do - 20141010
twitter.com/theseoulvillage/status/520443719456026625

... and a perfect alibi for returning to that lovely city: the 2014 Jeonju International Sori Festival (see links below).

Official poster of the 2014 JISF (Oct. 8-12) - sorifestival.com

I was specially looking forward to watching 'Cheong Alive', the opening concert:

Cheong Alive (淸 ALIVE), the inaugural concert

I knew that PARK Jechun and Miyeon would give their best, not only for Jeonju and Korea, but also for the country's younger generations and for the future, particularly in the wake of the Sewol tragedy. They delivered such an incredibly powerful creation that we came back the following night to watch it again, this time with 600 Korean kids in the audience.

'Cheong' is the SIM Cheong of Simcheongga, a great pansori classic that had already been adapted and updated in countless ways (some of which quite stimulating, like in "Bitter, Sweet Seoul"). In the story, the daughter of SIM sacrificed herself for her father, but comes back from the depths of the sea to become an Empress.

It took guts to cast only young pansori singers for the opening ceremony of such a prestigious festival, but the young talents were up to the task, and 'Cheong Alive' follows on from a long tradition, without forgetting to honoring pansori greats. Master KIM Cheong-man, the janggu player in that amazing 'Yeourak' Super Session (see "In the zone with Miyeon and Park Je chun"), even chaperons the younger generation during a multisensorial experience that's much more than a concert, an opera, and a musical wrapped in one. Bridging generations and lifting pansori to new territories, Miyeon's music claims you from the first to the last second, and keeps haunting you long afterwards.

'Cheong Alive', an amazing pansori musical for the Sori Festival opening ceremony in Jeonju. Bravo Park Jechun and Miyeon!
20141008 - twitter.com/theseoulvillage/status/519813170731315201

*

Mind you, I also crave for more traditional pansori, and loved KIM Yeon's take at another one of the five surviving great stories of pansori, Heungbuga, where humor plays a much larger role.

*

But the Sori Festival is not just Korea's best festival for traditional music, and if Songlines lists it among the 25 best in the world, that's also because it is truly international, and proposes very high quality music that don't often reach Korean shores (that's all about heralding cultural diversity, remember?*). I'm sure Jechun loved the incredible percussionists in these Iranian and Armenian groups:

From Iran, Sialk Ensemble - 20141010 twitter.com/theseoulvillage/status/520444186571460608

Duduk music from Armenia - 20141010 twitter.com/theseoulvillage/status/520592506069594113

*

The beauty of having festival venues, cultural assets, and great eateries scattered across the hanok village is that you can always find quiet or busy spots, depending on your mood:

Visitors and characters from all horizons roaming Jeonju hanok village. Sori Festival full throttle - 20101009
twitter.com/theseoulvillage/status/520057631625314304

Aaah Jeonju... special mention for the doenjang (with the zucchini leaves, bottom left) - #koreanfood - 20141010 twitter.com/theseoulvillage/status/520373873405988864

*

Of course, beyond the festival and the hanok maeul, there's a lot to see in Jeonju. 


The Nambu market deserves a triple visit for its outdoor street along Jeonjucheon, its covered section, and its trendier upper floor.

Jeonju Nambu Market - 20141010 twitter.com/theseoulvillage/status/520480117097644033

*

On the other side of the river, Dongseohak-dong is evolving into a arty neighborhood full of new cultural hotspots, but like in many other parts of the city, original vintage shop signs are preserved, and sometimes old trades, such as this time-capsulesque cushion puffing place:

One of Korea's few surviving cushion puffing services, in Jeonju - 20141011 twitter.com/theseoulvillage/status/520717462656937988

*

We went on to an amazing trip across Southern Korea, but more about that later.

I'm very glad I could enjoy Jeonju with old and new friends, and wish Chip were there as well, to taste the makgeolli we prepared together last July for the festival inauguration:

Preparing makgeolli with friends last July (see "Soriju seems to be the sweetest word")

*

See all posts related to Jeonju and to the Sori Festival, including:

• on Jechun, Miyeon, and the festival: "In the zone with Miyeon and Park Je chun" (May 2014)
• on the hwimori flashmob: "World Cup v. Korean Keg" (June 2014)
• preparing the makgeolli for the festival: "Soriju seems to be the sweetest word" (July 2014)

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* talking about waves and shores, see "Heralding cultural diversity - a stronger and more sustainable Korean wave (Part I)", Part II, Part III

Happy Seoul

Back to Seoul! Let's celebrate with a new Happy video following Pharrell Williams' footsteps. This one features more walks of life (from monks to expats), more sites (from Bukchon to Mecenatpolis or the Floating Island), and far fewer product placements than a PSY video (no, the tribute to Gangnam Style doesn't count)!



YouTube-wise, this version is quickly catching up with the previous leading version, with 37,000 views since September 30, compared to 56,000 since March 14 for the 'Happy' featuring Hong Seok-cheon:



At that level too, we're not in PSY territory, but it's really great to see Seoul clap along!

#HappySeoul on Facebook: facebook.com/groups/seoulishappy

Because I'm happy to see so many faces and places represented.

I'll add a final clap to a yet older video. Also made in Seoul, also based on music. Not from the megastar Pharrell Williams, but from the Icelandic group Sigur Rós. The title, "VARÚÐ", means "caution", and the video (by Nils Clauss with Namui Park) will move you in different ways. I want you to follow this homeless living in the park behind Yongsan Station until the very end of the credits, because that's also about feeling "like a room without a roof", feeling "like happiness is the truth", knowing "what happiness is to you", feeling "that's what you wanna do":



SIGUR RÓS | VARÚÐ. music video from Nils Clauss on Vimeo.

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Soriju seems to be the sweetest word

Back to Jeonju's hanok village for the 'soriju' making event, 100 days ahead of the opening ceremony for the 2014 Jeonju International Sori Festival (October 8)!

Of course, 'sori' played a central role in an afternoon filled with pungmul, pansori, court music (classic with gayageum, ajaeng, and saenghwang - plus a modern take with piano), and even a contemporary ajaeng-janggu duet.

A rare chance to listen to saenghwang
twitter.com/theseoulvillage/status/484001876002623488

But we were also here to make the 'soriju', the official makgeolli for the opening ceremony, mixing rice with malt and water and sealing the jar with our good luck wishes.

twitter.com/theseoulvillage/status/483879732212011008

And because everything was perfectly organized, we could quench our thirst with the delicious 'soriju' prepared 60 days earlier specially for the occasion!

In Korea like in Gaul, a great day ends with a feast and songs. This perfect one* was crowned by a fantastic pansori singer (BANG Sumi, feat. PARK Jechun as her pansori gosu, chopsticks style).


 

A good place, good friends, good food, good music... Total bliss!

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* started by a victory for France at the World Cup!

World Cup v. Korean Keg

It's World Cup time again. Which image of the nation do you want to share? These days, I've been given the choice between the worst of Korea's drinking tradition with PSY's Hangover, and the best of Korea's festive culture with a cheerful 'Daehan Minguk'.

*

After 'Gangnam Style' and 'Gentleman', and before 'Daddy' this Summer, PSY released 'Hangover', an abject object compared to which his previous hit almost looks like a work of art (and my take at "Gentlemanslaughter" was already not very kind).

Still not sobering up in its 3rd day, the Park Jae-sang - Snoop Dogg duo reaches 41,339,792 views, 409,066 likes, and 143,408 dislikes on YouTube. This 26.0% "dislike ratio" comes after Gentleman's 16.3% (674,716,081 views so far), and Gangnam Style's 11.1% (2,012,404,672 horse burgers served, and counting).

I don't recommend watching this pathetic video that not only lists all the possible disgraces and 'DON'Ts' in etiquette, but also drills nastily through your eardrums for 5 interminable minutes.


I forced myself to down it in one shot. Shortly after, I had to throw up this tweet:

Embarrassing, annoying, headache guaranteed... PSY's "HANGOVER" with Snoop Dogg even worse than expected twitter.com/theseoulvillage/status/475800094483034113

I guess @DanaDeMercurio nailed it by writing "I need those 5 minutes of my life back" in a tweet listed, along with mine and a few others, in an article aptly titled "Psy’s Hangover Gives Some Nausea" (Jeyup S. Kwaak - Korea Realtime / Wall Street Journal 20140609).

Anyway, life goes on in the Peninsula. Between graphic videos down South and colorful propaganda up North:

Hangover, the North Korea edition (feat. neither PSY nor Snoop Dogg)
twitter.com/theseoulvillage/status/476207535544733697

*

Needless to say, I prefer the more positive image Korea sends to the world every four years: a cheerful community, united not against anyone or anything, but in a peaceful celebration. And particularly a few weeks after the Sewol tragedy, it was great to see Korean youth take the streets of Jeonju hanok village to perform this friendly flashmob:



At the end of the video, there's an interview of Park Je Chun*, who composed this welcoming 'daehan minguk' with festive Korean rhythms, ideal to alternate with the more 'taeguk warrior' / Western rhythm version made popular in 2002. 

I'm making two cameo apparitions in the same video: at the end for my two cents, and at the beginning, seen shooting the flashmob with my smartphone. Here's the short scene I took:

*

Anyway, go Korea! And please, support responsibly.

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* who was recently named General Commissioner of the Jeonju International Sori Festival, after 3 years as its Creative Director (see "In the zone with Miyeon and Park Je chun")

In the zone with Miyeon and Park Je chun

Korea is really lucky to have this couple. Miyeon and Park are not only outstanding artists, but also heralds of cultural diversity* who reconcile musics that Koreans are not used to consider on the same plane.

Miyeon the pianist, Park Je Chun the percussionist

To start with, few people can work with the best in the field in free jazz, contemporary, classical, modern or traditional musics from Korea and all over the world. Because Je Chun and Miyeon respect music like great chefs respect food, what you get is neither a tasteless 'bibim' nor some 'world music soup', but new realms for creation, composition, and improvisation, new dimensions for each genre or 'cuisine'. They live, eat, breathe music, and that's at the same time very sensual and very cerebral. I'd really like to visualize how their brains react to new sounds.

They perform all over the world, but decided to stay in Korea to help the local ecosystem grow from within. 

You just have to see how great masters in gugak / traditional Korean music join them "in the zone" in this amazing concert with AHN Sook-sun (pansori), KIM Cheong-man (janggu), and LEE Kwang-soo (kkwaenggwari). See how they all enjoy the moment, how they push their art as they explore new levels of Korean improvisation, something that reaches much further than a simple 'jazzy version of gugak'. And it's as if Je Chun's western percussions and Miyeon's piano had always been with them. The main impro starts at 1'35", but around 1'10" there's a close up on Miyeon's hands. Look how she morphed gayageum into her piano, as if she were plucking the strings.

Sitting close to Je Chun when he performs is also quite an experience, and I had that chance during their concert in Tazak Madang. Many videos are available on Park Je Chun's website: parksbluesky.com 

*

A couple of years ago, the Jeonju International Sori Festival chose PARK Je Chun as its creative director, and the event, previously stuck in purely traditional gugak, evolved into an international reference and a major cultural crossroads (among the World's 25 best international festivals according to Songlines). It didn't only bring to Korea musics that had never been played there, but raised awareness for Korean traditional music, and generated previously unseen artistic encounters. Don't miss the next edition (October 8-12, 2014):
 
Jeonju International Sori Festival: sorifestival.com




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* They are the perfect illustration of what I wished for Korea in "Heralding cultural diversity - a stronger and more sustainable Korean wave (Part I)", Part II, Part III. Typically, they offer solutions to what I called Korea's 'wonjo syndrom', which opposes tradition and modernity and where sticking to a mythic 'original' destroys 'originality'.

Bitter, Sweet Seoul

Eventually titled "Bitter, Sweet Seoul" ("고진감래"), the "Seoul, Our Movie" project launched last August (see focus) premiered yesterday in Seoul Cinema and in the presence of its 3 promoters - 'les trois Park': co-directors PARK Chan-wook and PARK Chan-kyong (PARKing CHANce), and Mayor PARK Won-soon, who commissioned the movie for Seoul.

Avant-premiere: press conference following the first screening
twitter.com/theseoulvillage/status/433118837777510400

Premiere: same cast, second take, following the second screening

The PARK brothers scanned all 9,561 minutes of the 11,852 videos submitted by the public (44% by non-Koreans), ultimately selecting 141 in a one-hour-long final cut that probably owed editor YANG Jinmo a few sleepless nights.

All 141 international participants (film credits)

For his "Life in a day", Ridley Scott could work on 80,000 crowdsourced videos recorded on the same day all over the world but here, the focus wasn't on a moment in time but on the shape-shifter of a city, both modern and old. Contributors were given about 3 months, and could send old material if they fancied. The PARK brothers added TV and Daehan News archive footages, plus a few scenes featuring the Be-Being group on the Han River - most notably the prologue and epilogue.

Such delicate mosaics usually require the right music and soundtrack to at the same time cement them and prevent them from freezing, and this one respects so well the diverse rhythms and pulses of Seoul that I had to ask the PARK brothers the secret of their alchemy (beyond choosing JANG Young-gyu, a great composer for the soundtrack). They explained how the story of Simcheong (Simcheongga - 심청가) became self-evident and clicked naturally with key scenes, not to mention the fact that we're partly seeing Seoul through the eyes of a blind girl's dog, one of the main Ariadne's threads in this maze of a movie (in this traditional pansori - what a bewitching version by Be-Being! -, the daughter of Sim sacrifices herself to save her father, and ultimately helps all blind creatures recover eyesight).

More than a patchwork or a mosaic, PARK Chan-wook and PARK Chan-kyong considered their work as a symphony composed with a wide array of instruments. What makes the result powerful is its touching simplicity and truth. This isn't just a bibim of personal videos, short fictions, documentaries ("Nevada" on his rooftop), and heartbreaking moments in the city's history (war exodus and destruction, Sungnyemun's collapse...), but a fair tribute to life in Seoul, regardless of each Seoulite's origin, gender, age, or even species.

Seoul Metropolitan Government didn't want to commission yet another postcard video, and allowed full artistic license to the directors. As the title shows, both sides of the coin are exposed, the bitter struggles as well as the sweetest moments. Yes, you do see the embarrassing Floating Islands or Bampo Bridge Rainbow Fountain, but also a fair share of alleyways and dark spots. And even Gyonam-dong (merci Sebastien SIMON for making that dying neighborhood* survive in this portrait of Seoul)!

So here's this collaborative bitter, sweet take at Seoul's villages (300 views so far, but you can help PARK Chan-wook move closer to his 10 M+ record!):




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* see previous posts, including "Last Stand for 2013 and Gyonam-dong" and "In memoriam Samdong Samgeori, Gyonam-dong". The destruction is not totally over yet, but the end of the end is nigh.